ABOUT
Mixing Engineer & Record Producer
Based in the South of England
With a passion for sonic craftsmanship, I’ve had the pleasure of collaborating with a diverse range of artists, including Lewis Capaldi, EMF, Barbudo, Mystic Peach, Toreador, Munroe Effect, Provoker, Anoxide, and many more. My approach is all about elevating each project, delivering mixes that captivate and resonate.
Services Offered:
-
Remote Mixing
-
Remote Mastering
-
Tracking
-
Post Production
-
Reamping
For inquiries, reach out at:
SERVICES
PRODUCTION & TRACKING
I take a highly personalised approach to record production, focusing on both the artist and the song to deliver results that resonate with your audience. Using a combination of tried-and-tested gear and techniques, I work closely with you to capture standout performances and craft tracks that truly shine.
MIXING
A great mix is essential to conveying the vibe and intent of your songs. My goal is to give your record a unique character that reflects your vision. Since no two records are the same, I never rely on presets. Whether you're recording with me or providing multi-tracks for mixing, rest assured that I’ll work tirelessly to deliver bold, exciting mixes that bring out the best in your sound.
MULTI-TRACKS & STEMS
I have extensive experience in preparing multi-tracks and stems that are ideal for external mixing or remixing. I provide clean, industry-standard formats that are well-organised and easy to navigate. If needed, I can also deliver files that are fully phase-aligned, comped, and edited. Multi-track preparation is charged on an hourly basis, and files can be delivered via physical media or our secure, high-speed online storage.
MASTERING
My approach to mastering focuses on making your mixes big, powerful, and clear. I know how to maximize your tracks without compromising the feel, ensuring they’re loud enough to stand out while maintaining their integrity. You'll receive a complete set of files, fully optimized for manufacture, broadcast, download, and streaming.
MASTERING GUIDELINES
Keep your mixes between -10 and -6 dBFS on your master bus.
Avoid applying processing to the master bus. A few dBs of gain reduction from a bus compressor is fine if it's integral to your mix, but excessive processing limits what I can achieve in mastering.
24-bit 44.1kHz or 32-bit stereo interleaved WAV files are preferred, though other formats can be accommodated.